I think so. Possibly a bunch of times to various countries. Got things going on though, so we'll see. Stuff is being organised so I'll believe SPAIN-FRANCE-IRELAND when they actually happen right now.
Squidgirls will only be in France if I bring some when I go or if I finally put some up for sale online... which I will eventually, promise.
I did as many as the degree I was taking gave me...so not too many.
Then again, I started life drawing of the naked ladies when I was 15. ( Not that it actually shows much in my art at times! )
Twitter & Facebook mostly.
No, I have no "personal" ones, they're all just me. I tend to put a lot of myself out there publicly really. I also find dealing with actual family on social networks to be very bleh.
It's not for "clients" unless you'd consider anyone who buys my books a client. I like to be accessible. Publishers and people with jobs don't often mention where they find me though, they just do!
How NOT to find an artist:
Do not look for either professional artists, or an artist that has done a lot of game design work in the past. The problem with artists who do this as their full time job is that they’re usually expensive. Compared to what you can find through art sites, these guys tend to cost an arm and a leg. Artists who have done a lot of game design work are also bad for a similar reason, they know how much flash games can earn so they expect a decent percentage of the profit. It’s ridiculous to pay something 50% of a sponsorship when you can find someone else who would accept $500 for the same job. When your game sells for $10,000, the difference in cost is a multitude of 10.
I switch back and forth though sometimes go super long on just the one. Like right now, on CHOKER, which I will finish or die trying. It's *almost* there.
